| REVIEW | Innovative soundscapes on a bed of solidly approachable indie pop
Much is made of the electronics and atmospherics surrounding Mercury Rev, and with good reason: they have embraced an innovative aesthetic as tightly as any band out there. But when it comes down to the basics, electronic innovations do not assure anyone of a good album, and Snowflake Midnight is, most assuredly, a good album.
Song structures are typically loose, with the melodies weaving in and out of a river of sounds, the lyrics bubbling to the surface, heard as if in a dream--velvety one moment, then frighteningly clear the next. The music itself at turns is sublime, noisy, glittering, lovely, and memorable.
The thing that makes Snowflake Midnight such a pleasure, ultimately, is its cohesion. As I try to parse my way through the lyrics, I know there is a lot in here about love, and flowers, and...well, I'm not sure what else...but in the still seconds when the album is done, just before you press the play button again, you somehow feel that it was complete. I'd say that is a pretty good recommendation for anyone.
Now, on to what may be an even greater find--Strange Attractor. You probably know that when you buy this, you get a download link to a second full album. The album, Strange Attractor, is a "companion piece" to snowflake midnight. They are an excellent counterpoint one to another. Where Snowflake Midnight has recognizable song structure, lyrics, and uses electronics as a setting for the songs themselves, Strange Attractor is all instrumental and is a feast for electronic aural soundscapes. The songs are wonderful, mysterious explorations of looped sounds, echoes, grooves that rise and fall. The entire impression is one of immense grandeur and at times loss. Perfect music to drive on a dark night on a winding road--I know because I've done it. Magical. I think I like Strange Attractor as much as Snowflake Midnight, but for completely different reasons. |
